Showing posts with label Sasquatch. Show all posts
Showing posts with label Sasquatch. Show all posts

Wednesday, April 14, 2010

Mad science: How werewolves became imaginary.


Over at the Fortean Times web site, writer Brian Regal tracks the history of the werewolf feared monster of Europe's darkest forests to figment of the imagination. The broad arch of the werewolf's lapse into fantasy is familiar, but Regal points out that the extent to which the werewolf became strictly fictional is uniquely notable:

For most of recorded history, the half-man, half-wolf lycanthrope reigned supreme as the creature travellers most feared encountering in the woods and along dark roads at night. Numerous legends concerned werewolves – the awful deeds they committed, how to protect against them, how to kill them – and belief in their reality can be found in many cultures from ancient times to the present. But while the werewolf still holds a place in fiction and films, few people today actually fear meeting one in reality. Many individuals and groups actively search for cryptids, but there are no werewolf-hunting organisations. So – where have all the werewolves gone?

From the late 19th century on, anomal­ous primates like the Yeti, Sasquatch and Bigfoot nudged aside the wolfmen of old and stepped forward to occupy the niche of this fearsome man-like monster. But what accounts for this curious transformation?


Regal starts his story with a discussion of the dog-headed proto-werewolf of Greek legend: the Cynocephali, the race of dog-headed men that even included (in the lore of the Eastern church) St. Christopher, pictured above. He notes that, curiously, Europe started to dismiss the possibility of werewolves even as its belief in demons and witches proved fatally strong:

Despite the widespread cultural acceptance of werewolves as a reality, by the late 1500s some European writers were questioning the concept. While belief in witches flourished with murderous abandon, views on werewolves had little consistency in learned circles, and though werewolves often found themselves associated with witches, no werewolf ‘craze’ ever developed. In fact, there are only a few werewolf trials on record. As the Enlightenment dawned, a debate ensued over whether demons could transmute a human into a werewolf. Philosophers and theologians wondered whether the human soul was capable of becoming genuinely bestial, and such theological reservations posed the same problems for werewolfery as evolution did two and a half centuries later. It was during this period of scient­ific revolution that psychological, rather than physical, explanations for lycanthropy gained currency.

Ultimately, he argues, the rise of Darwin put paid to the wolf man. Evolutionary theory began to kill off the beasts of myth, replacing them with an equally fantastic, but more "scientific" zoo of missing links, prehistoric survivals, and "nature's mistakes" (though Darwin himself was dismissive of any notion of a missing link). Notably, apes - and their cryptid shadow relatives, Bigfoot, yeti, sasquatch, the stink ape, and so on - became the beast-man link of choice.

Saturday, June 23, 2007

Comics: The more the merrier.

Wanted to hip any Screamers or Screamettes who dig their scares in sequential panel format that there are two recent horror comic anthologies worth checking out: Completely Doomed from IDW and Viper Comics' Sasquatch.

Completely Doomed gathers original comic stories from the first four issues of IDW's regular horror anthology Doomed. If you haven't picked it up yet, Doomed is classic horror-antho comics done right. The stories are all adaptations of classic pulp short stories from Robert Bloch, Richard Matheson, David J. Schow, and F. Paul Wilson. Thirteen different artists, including the legendary Ted McKeever, contribute a wealth of styles to Doomed's lovely black and white pages. In its original format, you also get interviews with the original authors, reviews of movies and books, prose fiction, and a wonderful EC style host: Ms. Doomed, an eye-patch wearing hottie who divides her time between vamping it up for goth-cake pin-ups and insulting the readers. The original issues of the series are published in a luxurious 8½ by 11 trim size that gives them the feel of an up-market magazine. Painted covers by Jeremy Geddes and Ashley Wood also contribute to the sense that you're getting quality product. And the insides don't disappoint. The stories, including one Eisner nominated short piece, almost always hit. They do tend towards the "twist" ending, though this seems more like a nod to pulp classicism than a tired cliché. The fact that they always revisit the same four authors could have undermined the series; instead, it helps give the series a unified feel that, given the variety of art styles used, could have felt too dispersed. The art, like the stories, is almost always top notch. It runs the gambit from hyper-stylized cartooning to naturalistic illustration. The more extreme styles can sometimes get too abstract for their own good, but the stories are tight and short enough that no style is given the time to overstay its welcome.

The collection, Completely Doomed, gathers together only the comic stories. Gone are the reviews, the prose, and Ms. Doomed is relegated to a tiny handful of semi-random appearances. Though it is a shame that we lose the charmingly abrasive Ms. Doomed, you can't argue with the decision to cut the rest of the stuff. The reviews and interviews are welcome breaks in the original magazines, but none of them are worth collecting for what might be a second read. The collection understands that it is the comic horror stories that we've paid our money to read. The reproductions are crisp and faithful to the originals. My only objection is that the collection shrinks the pages down to a less magazine-like 6 and some change by 10 inch format. The art doesn't seem to suffer any for the change in trim size, by the over-large pages were something that made the series fun. The collection also includes a cover gallery all the alternate covers for all four issues.

I've you've been following the series, there's nothing new in Completely Doomed. The more book-like format will hold up to repeated readings better than the original magazines, but it is debatable whether or not that's worth the 20 buck asking price. For those who will be approaching the series new, this is the perfect intro to an excellent collection of horror comics.

Viper Comics' Sasquatch is an original anthology "presented" (I'm not sure what that entails for a comic book) by Josh Howard, the man behind Viper's most popular horror title: Dead @ 17. I must admit that I've always steered clear of Viper Comics' titles. They seem to have a sort of pseudo-manga house style of art that I, unfairly, equate with a sort of vapid kids' play sort of work. This anthology, along with the non-horror themed sci-fi Western mash-up Daisy Kutter: The Last Train, forced me to re-evaluate my dismissive attitude. Sasquatch contains nearly 300 pages of comic fun. Dozens of artists tackle Bigfoot, the Yeti, Sasquatch, or whatever else you want to call him. The stories cover the spectrum, from straight-up horror to surreal humor to kid-friendly adventure. The art is as wildly varied as the writing. Some stories do fall flat, like presenter Howard's short of a Bigfoot soldier dispatched to kill Osama bin Laden, which is neither cathartic or satiric and verges on the embarrassing. These duds, however, are the exception. For every miss, there are four solid hits and, with that ratio, the over all collection is a quick, fun read.

I have only one complaint about Viper's book: the $25 buck asking price is a bit steep for a comic that I don't think has much re-read value. I had a good time working through Sasquatch, but nothing in it rises to the level of classic and I can't see many folks shelling out 25 Washingtons for such ephemeral pleasures. Then again, maybe I'm just a cheap bastard.